Chua Ek Kay
斋边清供 A Scholar's Abode
Ink on paper
138x69cm
1993

Chua believes that when capturing the essence of a subject, it is essential not to focus too much on detailed representation. Instead, the most important aspect must be emphasized. To truly convey the subject’s spirit, it is crucial to simplify the image, retaining only the essential elements that reveal its essence.

In his approach, Chua highlights two important aspects: brushwork and ink. While it’s not difficult to depict a form with these tools, the challenge lies in deciding what to simplify—what elements should be omitted, what should be subtly toned down, and what should be accentuated. This decision-making process, according to Chua, is far from simple, and it demands skill.

This piece titled “清供” refers to decorative arrangements of objects placed in indoor settings for aesthetic enjoyment, often including items like bonsai, flowers, seasonal fruits, unique stones, and fine artefacts. These items serve to enhance the ambiance of living spaces, such as a study or a hall.

In this artwork, the central focus is on four flowers: chrysanthemums, peonies, plum blossoms, and daffodils. Each flower carries rich symbolism in Chinese culture. The chrysanthemum symbolises longevity; the peony, wealth and prosperity; the daffodil, new beginnings and hope; the plum blossoms, endurance and perseverance.

Through the repeated appearance of these flowers in his works, it becomes evident that Chua Ek Kay has a deep affinity for them.